History doesn’t repeat, but it often rhymes. There’s no reason any of the empires (or the pirates for that matter) wouldn’t have highly stylised cartoons. That sort of thing tends to become popular across cultural borders. Anime (and associated styles like aeni) were influenced by western cartoons, and today is arguably more popular in both the east and the west than the western cartoons are.
It is the year 280 BYC. The Achura have just met the Caldari, and, having little choice, agreed to join the State. Hyper-advanced Caldari ships have landed around various urban centres, setting up their own little enclaves, but by and large life goes on much like it always has, at least outside the noble estates. One day, a young monk sees a boy from a family visiting his monastery on a pilgrimage carrying something strange, a thin paper novel, but with the strange alien writing the Caldari use on the cover, which rather than being a sensible material like cloth-covered cardboard seems to be just glossy paper, garishly coloured. Going over to greet the family as an excuse to take a look at this strange artifact, he notices that rather than text, the contents of the book are little panels of drawings, depicting small animals, anthropomorphic figures probably meant to represent wind and forest and mountain and who knows what else, and a recognizable slapstick story. Noticing his interest, the father explains that the artifact was a gift from a caldari soldier they met in their home town, and that the boy has been enamoured with it ever since. The monk, however, was simply struck by how similar the thing is, in function if not in form, to some of the old wood-carvings in the library.
A century later, a new tradition has emerged, merging the caldari children’s comic book and the ancient achuran zenatesh tradition of telling stories through pictures into zeni, a unique blend of styles which has quickly taken Achuran youth by storm, and which is even picking up popularity on Caldari planets and stations, with imported magazines and pirated fanslations easily accessible at any nontraditional bookstore. Needless to say it’s not long before a new medium of entertainment reaches the Gallente, despite the ongoing and fierce fighting, and for a brief period (Gallente lack very long attention spans (it’s okay for me to say that, I’m a Gallente too)) zeni stories enrapture trillions of people across the cluster. Today in YC128, zeni is available all over the cluster. Minmatar artists produce remarkably high-quality animations telling spiritual and tribally important stories, the gallente and caldari compete daily in trying to capture the lucrative male youth/young adult market, the Amarr and Sani Sabik have publishers selling barely disguised religious narratives, and a recent Guristas zeni-style galnetcomic about wacky pirate antics has become highly popular among small groups of capsuleers.