Ascent: A Rough Rocket Ride That Does Not Try To Escape the Gravity of Reality
by Noa Joha
124.08.24
Ascent finally officially premiered in Foundation City on the 18th, “finally” because of the enduring difficulties of imports into Origin, and “officially” because one bootleg version managed to spread through Origin’s colonies regardless of those difficulties. Despite the bootleg’s circulation, it did not stop Coordinator Biko (his post-premiere interview is embedded below this article) from ensuring the official Impetus release could be seen in Origin’s theaters. In the first days since it premiered it has become the most watched holo this year, and it is likely that it would have rivaled previous records if Origin still had pre-sacking population numbers, although certainly the post-sacking living conditions made people more hungry for entertainment.
The action holo is based on a true story, and is seen by many as sort of an Origin Story of the capsuleer known as Trii Seo. It centers around delinquent teen girl Paige (Maret Takala) and her “ascent”, her desire and attempts to escape her exile on Starkman Prime. This desire is very understandable. Her life is not one to envy, but at the start of the holo, there is little that would make you sympathetic towards the rude little criminal… until the scene of Paige’s Voluval, which in my opinion is one of Ascent’s best scenes, yet underrated and why I will spend a whole paragraph on it. Maybe even two.
Shots of Singing Staffs, chanting people and fire in the darkness are intermixed with shots of Paige’s eyes, and the eyes of others. The eyes of the others often show disapproval, the eyes of Paige respond with defiance, mocking, arrogance.
The scene cuts to an overview shot, Paige walking naked to the Spirit Conductor, standing inside a circle of people, dimly lit in flickering light. An intermixed couple of shots showing Paige’s and the Conductor’s eyes (who responds to Paige’s feigned confidence with only a slight raise of his eyebrows) continue the pattern as she stands in front of the conductor, then kneels down.
A quick cut to a close-up of a syringe plunging into Paige’s bare chest, quickly followed by a shot of her widening eyes as she lets out a whimper. Then another quick cut to a close-up of another injection into the base of the spine, again followed by by a shot of Paige’s eyes, quickly closing as a tear nearly escapes her eye, accompanied by a pained moan. This shot continues unexpectedly long, in sharp contrast to the quick cuts before this moment.
After a few breaths we hear Paige swallow and she opens her eyes as the shot pulls away to show her entire face. Paige opens her mouth to speak, but we barely hear her make a sound before the shot abruptly cuts to an overview shot, Paige hidden by the Spirit Conductor standing in front of her, as the only sounds we hear are a few, barely recognizable notes of the song Rewriting Tomorrow. Then a quick cut to Paige standing in the circle, covered by a black mantle, accompanied with a drumming heartbeat.
A few beats later and it cuts to the mantle being removed, quickly followed by more short shots of eyes, looking, searching, Paige’s eyes among them. A short sharp breath echoes as the shot lingers on her eyes, widened, in shock. As the shot gradually pulls away from her eyes, they turn on her onlookers, and the holocam turns in the same direction, moving behind Paige. We see the onlookers closing their eyes, some turning their heads. Paige covers her body (and supposedly her mark) with her hands, as if only now she is feeling naked. After the camera has pulled back enough to show the entire circle in the frame again, the circle abruptly vanishes in the dark. It takes a few moments more for Paige to fade into darkness, and one more before the scene ends with a hushed whimper.
This scene lasts not much longer than the clip of it in the trailers (about 1 1/4 minute) but it need not be a second longer and I could talk about it for quite a while. For me this is one of Sault’s best, and I’d like to see him do more like this.
The scene is short and genius simplistic, yet leaves an impression on you for most of the film, even if you may not be aware of it until later, perhaps even only after the second viewing. To avoid spoilers, I will not go into too much detail, but I think at least non-Gallente may enjoy the meta layers of this scene, and perhaps Gallente may like it even more than I do.
It is a bit of a contrast with most of Ascent: the editing, the meta layers and symbolism, realism dialed back for a more dreamlike atmosphere (note how the overview shots show no fire, only the flickering light coming from nowhere). It makes me want to see a whole film like this from Sault.
Anyway, after this scene, you will look at Paige with different eyes, allowing you to more easily sympathize with her.
The rest of the movie is more like Sault’s usual work: long, top notch, single take action scenes, vicious violence, gore and screaming (especially Paige’s screaming), but it will still mess with your expectations.
The action scenes are thrilling and will leave your eyes glued to the screen and you butt on the edge of your seat, yet they never become so over the top that it contrasts with the rest of the realistic plot and style.
The plot is fairly straightforward, and perhaps a result of being based on a true story, yet it may still surprise near the end. Wether those are pleasant surprises will depend on the individual viewer.
Takala’s acting is good, albeit a bit monotonous. How much of this is because of her range, or due to the script and directing I can not tell. She can say a lot with her eyes, but sadly they mostly say “scared!” and “pain!”
Peter Roy plays Paige’s love interest/action hero Thomas Voight, and the few scenes where they are alone together offer a respite from the struggles in the rest of the holo (at least at first glance), in part due to their chemistry, and also because it allows Takala to show a bit more of her range. Roy tweaks his usual acting style in a way that suits the movie well.
Adel Freir plays Rocket, a sympathetic leader of a sympathetic team that almost seems to clash with Starkman Prime’s depiction in this movie. Freir shines in one of the most brutal fight scenes in this holo, but most of his acting throughout the movie almost makes it feel like he is only a support character level actor, although this might also be because most of the support actors are quite good and act in a way that supports the holo’s realistic, no nonsense style.
Effects are top-notch and not distracting too much attention. Starkman Prime is brought to life, it is almost a character in itself. The soundtrack compliments the holo quite well, and very subtly at times.
AI and Gallente may find the movie a bit bland, although the Gallente will still find the action entertaining. Matari will find any concerns that previously surrounded this holo to be mostly unwarranted, with the Voluval scene being short, to the point, and respectful (among other things!) Amarr and Caldari opinions will likely vary.
The holo is rated 18+[Extreme Graphic Violence] for non-AI.
Post-premiere interview with Coordinator Ché Biko
Female voice: “Mister Biko! Over here, please!”
Ché looks over his shoulder, then says something to a short dark-haired woman. As Ché turns to towards the camera, the face of the woman can be seen. She appears to be in her 30’s and has a few dreads in her hair, complementing her Intaki/Matari punk look. She scowls at the holocam before Ché blocks the view on her as he approaches the reporter.
Mister Biko, What is you first impression of Ascent?"
Ché looks like the question came out of left field, and takes his time coming up with an answer. " … Uhm… it is… simultaneously what I expected and not what I expected."
“Could you eleborate?”
“… Well… I did not expect how the movie would end before it started, but I did see the end coming quite soon. Not that it… detracted at all from my experience. After all, sometimes… fearing a certain outcome that you think is likely to happen and hoping for the best can be part of enjoying a work of… fiction.”
“Heh. Interesting choice of words there, considering it is supposedly based on a true story. … You seem quite… touched? By the holo?”
Ché nods. “…Yes. I suppose you could say that. I’m still processing it all.”
“You’ve put some effort in bringing this movie to Origin’s populace. What motivated you to do this?”
“Well, life has not been easy here in the last few years. People need quality entertainment… and I personally was really interested in seeing this holo, but I am not one to pirate them.”
“I see. And why your… personal interest in this particular movie?”
Ché looks over his shoulder to the short dark-haired woman for a moment, then returns his attention to the reporter for a while, thinking and shrugging his shoulders. “The… I don’t know. I liked the trailers.”
“… Have you ever met the real Paige?”
Ché nods. “I have, actually.”
“Oh! So how familiar were you with the events in this holo?”
Ché smiles faintly. “Oh… not at all, really.”
“I see. So you are not close with Trii Seo?”
Ché shakes his head thoughtfully. “No… not… like that.”
“Not like that?! Ok… So how close are you two?”
Ché looks at the reporter for a moment as a slight smile forms on his lips, he then turns his head to look at the short dark-haired woman behind him for a moment, then glances at the camera. “Uhm… we… we sometimes encounter each other at… social gatherings.”
“Oh!.. she was at your birthday party in Club Inferno some years ago, right?”
Ché nods. “Right.”
“So does Takala act like the real Paige?”
Ché thinks for a bit as he nods. “… Well, I’ve never seen her… scared, in distress, I think… But I must say that I did see Paige often. In Maret, I mean.”
“So you would say that Seo is portrayed accurately in this movie?”
Ché tilts his head side to side thoughtfully as a frown forms on his face. “…Well, I guess? I mean, she did… provide input, no?”
“You seem to have doubts. Why?”
Che shakes his head, seemingly a little frustrated. “No. No. Listen, uhm… I love Maret, her acting. I would love to meet her. I’m sure she… did a great job with the script and all. I mean, I can totally see why Thomas would fall for her, you know? It’s just… Paige isn’t all bad, you know? Not that she is portrayed that way but… I owe her. The real Paige. She kept me out of trouble a while back and I don’t want to speak ill of her, and… I love her too, and… she’s just a… person." He gestures at his chest "We’ve done bad things I regret too, you know?”
“…So you are saying she regrets what she did?”
Ché raises his hands and shakes his head. “…I don’t know. That’s for her to say. But don’t we all have regrets?”
“It kind of sounds like you’ve fallen for Paige.”
Ché smiles slightly. “…Which one?”
“You tell me. Both?”
Ché scratches behind his ear for a moment, then smirks slightly. “…Maybe?”
“I see. What are your feelings about the photos taken of Trii Seo and Peter Roy at Matigu?”
Ché smirks and shakes his head as he scoffs softly. “…It’s nothing I haven’t see- It-it’s… nothing that affects me either way. I hope she’s happy. I hope they are happy.”
“I see… No hard feelings, then?”
Ché chuckles, then bites his lip as he shakes his head. “Hard?” He chuckles for a bit, shaking his head now and then. He takes a swig of his beer “Eh… That depends on what you mean by-” He chuckles some more. “Aaahah. Nevermind. No! No hard feelings! 't’s All good!” he smiles.
“… There have been rumors that Maret Takala would come to the premiere. …I haven’t seen her around. Was there any truth to these rumors?”
Ché nods a little. “It was… something we looked into, but ultimately decided against, mostly for security related reasons.”
“What about the real Paige? Was she invited?”
Ché shakes his head. “No.”
“Anything else you’d like to add?”
Ché thinks for a while as he drinks some more beer, then shakes his head. “…No. As you said, I am still processing it and… you asked my first impression and you have it. …Oh! I did like the soundtrack a lot. I think… Rewriting Tomorrow will be in my head for a while. And I also liked how… Rocket Ride played in the background softly during one of Paige’s and Thomas’ chats. Very subtle but a nice addition… with a bit of meta.”
“Ok, thank you, and enjoy the rest of the night.”
Ché bows his head with a slight smile. “You’re welcome. You too!”